Moma Visit – Compare and Contrast Paintings

MoMA holler Visual analysis Art is an effective focal point to express beauty. Artists attain different right smarts to express their ideas and communicate nonverb whollyy through their work. In the Early moderne Art outcome, artistic productionists were free to take a shit their pieces in various(a) ways that never had been done before. For this essay, I chose the works of 2 artists of this period to compargon and contrast so that the diversity of Modern art stern be acquaintd.Even though Vincent wagon train van Gogh and Rene Magritte was born forty five years a diverge from individually other and had different panaches, I am interested in analyzing The star desire shadow (Vincent van Gogh) and The empire of Light, ii (Rene Magritte) after(prenominal) my trip to the M procedureum of Modern Art. At the first analysis, I would like to discuss the famous painting The Starry iniquity (1889) by Van Gogh. This painting is in oil on canvas and has the dimensions of 73 . 7cm ? 92. 1cm. Van Gogh depicts the townspeoplespeople in Rhone under gas timid and reflected in the grim river.As it is displayed at MoMA, The Starry Night attracts a great cast of visitors to its mysterious sinister spirals. The focus of the painting is quite high as the first point drawn to the takeer is at the put away. The spirals meet with each other and the yellow stars atomic number 18 bright throughout the be iniquityed blue thrash about. Van Gogh uses thick scrub gibes to draw the mysterious spirals, which enlist most of the center of the painting. The enormous spirals are reproduced images of touching waves in the ocean, and in any case induce a whirling movement. This proficiency plays a evidential part to create the chaotically moving effect for the picture.Most people who gibe this picture for the first time feel that the whole scenery someway shifts, even though it is a still life painting. Moving my view point from the mysterious spirals, I can le arn the big, passing rancid green cypress tree located in the right part of the picture. Cypress appears in Van goghs picture very much such as in the Cypresses and Wheatfield with cypresses. Unlike these deuce pictures above, he uses similar sinuous curves tortured from full cycles one after another(prenominal) in this one to reproduce the brush stroke he uses in the spirals.In the nookie one third of the painting, Rhone town at midnight is still in blue. The clearest part we can see at this town is the church and its doorbell tower. Although the church that consists of simple subjectes, it seems to be the most complicated crock up in the painting. The bell tower points up to the convulse and draws attention of the viewing audience to the spirals once again. Secondly, the next painting I would like to mention is The empire of Light ii (1950) of Rene Magritte. Its dimensions are of 78. 8 x 99. 1 cm. Magritte wants to demonstrate a nocturnal scene under a daytime sky.When I first saw the painting, the initial thought that came through my mind was to respect the peaceful scenery of an ordinary lessened town. Then I discover the paradox in the painting. The upper half of the painting is the inflammation blue sky of a peaceful day with floating white clouds. However, the bottom half is a small town at midnight. Houses and trees are all covered with dark hue as if it is late at night. The town looks as if it has already gone to sleep. The thin and precise brush strokes that Magritte adroitly use make the picture look as real as a photo. The closer and longer I look at the painting, the much(prenominal) conf utilise I become.The serenity of the deep-sleeping town, which is dimly lit by the veteran street light, along with the floating clouds, makes me feel so calm and peaceful that I am persuaded into its reality. However, I am still able to keep the contrast mingled with day and night in ii halves of the painting. This awe is the result of th e eyes tricked to believe in what we see. The placement of day and night remarkably reminds us about our conscious mind that we use in everyday life, and about our lit unconscious mind that waits for us to use it to brighten our senses.This painting conceals Magrittes psyche that The mind loves the unknown. It loves images whose inwardness is unknown, since the meaning of the mind itself is unknown. On the one hand, there are similarities between two paintings that I notice. Firstly, both painters use oil on canvas for the paintings. They to a fault have the approximate dimensions of about 70cmx95cm. Secondly, mystery is an important fact that makes the two paintings worth seeing. People cannot resist taking a look at the spirals and following the moving effect of the whole picture when seeing The Starry Night. The spirals themselves are mysterious since they are echoed the movement of ocean waves. Similarly, The Empire of Light, ii makes spectators wonder the reality of a nocturn al scene of a small town under a sunny day. Their minds are tricked to believe in the true-to-life scene as nearly as to question the paradox. In addition, luminosity is created successfully in two paintings. In The Starry Night, the moon and the stars illuminate the sky as stars and moon are in concentric circles and contrary to the dark blue sky surrounding.The moon is determined at the top right corner of the painting, where the sun usually appears, and produces light together with the stars. Correspondingly, in Magrittes, light comes from the title of the painting itself. The lamppost, as well as the windows dim light, creates the luminosity standing alone in the dark night. Finally, even though both paintings have no sign of serviceman and animals, motion still appears clearly. The whole Starry Night is a chaos, moving and moving freely, while the floating clouds in the sunny sky in the upper half of the painting prevents The Empire of Light, ii from lacking in movement.On t he other hand, each picture has its own quality. The first difference between the two paintings is the brush stroke. Vincent van Gogh uses the thick brush stroke in The Starry Night, especially when painting the spirals and the cypress, while Magrittes extremely thin brush stroke appears everywhere in the painting. As a result, the surfaces of two paintings are different rough in The Starry Night and smooth in The Empire of light, ii. Also, while The Starry Night has an hold shape, The Empire of Light, ii is closed-shaped. In Starry Night, there are no edges coming between the stars and the sky.They just merge with one another and create a beautiful Starry Night. However, the thin brush strokes in The Empire of Light identify all objects distinctively. Edges are clear between houses clouds and sky are clearly recognized. Thirdly, although both painters use blue, the hue, value and intensity are different. Blue is the spiritual color in The starlit night, and Van Gogh uses blue t hat varies from the darkest in the town to the lightest in the inside of the spirals. Blue is similarly diverse in the sky, together with yellow to make a sky lively.Magritte, however, uses just one value of light blue to paint his sky in a sunny day and the sky looks serene. Last only not least, even though both paintings depict the same drug-addicted of a small town at midnight, each painting represents a different flare. While the starry night of Van Gogh follows post-impressionism a style that combines the elements of Impressionism with those of non-Europe to create their own way The Empire of Light, ii of Magritte is surrealist, whose purposes are to describe the irrational, to examine perception and to create the word and image relationship.In conclusion, The starry night of Vincent van Gogh and The Empire of Light, ii are expressions of artistic values. The paintings, either post-impressionist or surrealist, represent the painters own way of self-expression and their o wn way to communicate with the spectators nonverbally. Reference 1. Van Goghs garner http//vangoghletters. org/vg/letters/let693/letter. hypertext markup language http//vangoghletters. org/vg/letters/let782/letter. html 2. Magrittes quotes http//www. rene-magritte. org/rene-magritte-quotes. jsp 3. Other http//www. moma. org/collection/object. php? object_id=78456 http//www. all-art. rg/art_twentieth_ nose candy/magritte1. html The starry night Vincent van Gogh The Empire of Light, ii Rene Magritte Claude Monet contextual factors influenced his style Claude Monet (1840-1926) was a French artist, who was considered a leader of the Impressionism movement as this style was named after his painting Impression, Sunrise (1872). He is one of the common artists to mention when we discuss the Early Modern art era. I would like to analyze the contextual factors that affect his style of painting. First of all, the political caboodle in France from 1870s had effects on Monets style.During the Franco-Prussian War (1871-1872), Monet came to England with Pissarro for shelter. He met the monger Durand Ruel, who then became a great advocator of the Impressionists. Also in England, Monet had run a risk to contain the works of John Constable and Joseph Mallord William Turner, which inspired his innovations in study of color in. After spending a summer (1971) in Amsterdam, Holland, he returned to French, which was modify by the civil war. He stayed in Argenteuil, which was an industrially growing town near the Seine river until 1878.From 1872-1878, Argenteuil was a center for Impressionist painters to gather after Monet published his painting Impression, Sunrise depicted the Seine river. In addition, innovations in painting manufacture were introduced in public in 19th century. In 1841, John Rahn invented the collapsible tin paint tube, which revolutionized the color palette and technique ofplein-air oil paintingby finish offering a range of pre-mixed colors in a conve nient medium. This is a major factor to publish Impressionism. Monet used this plein-air painting as a elementary principle of his art in 1860s,.He sought to combine his Realist investigation with the possibilities of creating a new style of painting. In the paintings produced at La Grenouillere at 1869, Monet found a way establish a challenging tension between appearances and painterly ruse that proved sufficient basis for the developed Impressionist manner of the 1870s and after. In 1870s, Monets brush stroke became smaller and more diverse. He also tried to conduct experiments to control value contrasts. These experiments with color were played off against and within a traditional framework, essentially perspectives in nature.Finally, 19th century marked the emergence of photography, which had a major effect on Modern Art. In the first half of the century, cameras were introduced continuously and rapidly improved. For example, in 1814, Joseph Niepce used hiscamera obscurato tak e picture, but the image required eight hours of light exposure and later faded. In 1851, Frederick Scott Archer invented theCollodion process, in which images required only two or three seconds of light exposure. Thus, painters were in need of seek new techniques to innovate their painting. They had to prove that paintings might not be replaced by photos.Thus, Monet sought a way to break the old rules of traditional painting. His brush strokes became thinner the closed shape in traditional painting became more open as the boundaries between objects were more obscure, as we can see in his Impression, Sunrise. According to the contemporary critics, the painting was rather a sketch than a complete work of art. However, this painting was the first impressionist to be presented. In conclusion, the political circumstances and developing technique are two crucial factors that affect the style of Monet Claude.After his first painting in 1972, Impressionism became his style for his later life. Work cited MoMA Monet Clauds biography http//www. moma. org/collection/artist. php? artist_id=4058 http//www. claude-monet. com/index. jsp House, John, et al. Monet in the 20th century, page 2, Yale University Press, 1998 http//www. visual-arts-cork. com/artist-paints/colour-palette-nineteenth-century. htm http//library. brown. edu/cds/paris/finearts. htmlimpressionism http//inventors. about. com/od/pstartinventions/a/Photography. htm